![]() ![]() They get the baby to Mama Dolores, but not without run-ins with Mexican Urales and marauding Yaquis. Concerned the baby won't survive long without care, they proceed across the Rio Grande to the nearest town, where they know of a cantina owner with innumerable children. When they find the train, however, they quickly forget their quarrels-the train was robbed and everyone aboard killed, except for one infant covered by his mother's body. Without much choice, Trampas wryly agrees. The Rangers, learning Trampas is headed in the same direction they are, suggest they all ride together-that way, they can fight him after they have fulfilled their mission. ![]() He's on his way out of town when he runs into the three Rangers-who turn out to be partners-on their way to track down a missing train carrying a payroll. Unlike D'Artagnan, he has no notion of actually fighting the Rangers: all he wants is out of Laredo. Despite the warning, in a western version of the Dumas classic, "The Three Musketeers", Trampas manages to get himself engaged to fight three separate Texas Rangers within an hour of his arrival. The ranch foreman warns him to watch out for himself in Laredo, a tough town on the Texas/Mexican border. Working as an Impact Producer for Backtrack Boys and Documentary Australia brings together Lisa’s passion for raising awareness of documentaries that tackle societies most pressing issues with her skills in communications – bringing resources together, harnessing partnerships and growing a network to make an impact.Trampas, a cowhand from Medicine Bow, Wyoming, is sent to Mexico to buy a bull for his employer. Notable projects include: Sony’s World Photography Awards, Telstra’s Moonlight Cinema sponsorship, Hoyts Cinemas digital marketing campaigns, Cirque Du Soleil tour for Optus, Documentary Australia’s Sydney Film Festival sponsorship and Good Pitch2 at the Sydney Opera House. Lisa has directed award-winning design and branding projects, created successful digital, social and marketing communications campaigns and has produced high profile experiential events, exhibitions, and roadshows. Lisa has extensive experience in project management and communications for over 20 years within renowned media and design agencies Ogilvy Australia, Naked, Play Events, There Design and not-for-profit Documentary Australia. In her spare time she is a keen bush regenerator and lately a sailing tragic. Her background includes turns as a social work graduate, rusty violinist and amateur clown. In 2012 she was awarded by the ASEG for her work on A Law Unto Himself. In brief digressions from editing, she co-produced and edited a 4 part series for ABC Our Boys and co-directed and cut an episode of the AFI winning series Liberal Rule.īack at the bench Three Boys Dreaming and Scarlet Road, her first outing with director Catherine Scott were finalists in the SIFF Foxtel Documentary Awards. She won an AFI for Best Editing Thomson of Arnhem Land in 2000. Her international feature documentary credits include Cunnamulla, Wedding in Ramallah, Landmines a Love Story, End of the Rainbow and Surgery Ship. Her work is characterized by a strong sense of story and social justice with a seditious sense of humor. The Cambodian Space Project – Not Easy Rock’n’Roll was in competition at the 2015 SFF and nominated for Best Editing in the AACTA awards. Recently she cut We Don’t Need A Map, the opening night film of the Sydney Film Festival (SFF) 2017. Catherine was also co-producer/director for Deep Dish TV including Who’s Afraid of the Little Yellow School Bus?, The Last Graduation, Lock Down USA and The Gulf Crisis TV Project.Īndrea Lang ASE has been editing documentaries for about twenty years. Her credits include Producer – Unconquered – The Invictus Games (ABC TV) Shooter Producer – Not everyone Wants a Goat - Foreign Correspondent (ABC TV) Producer, Being Me – Four Corners (ABC TV), Director/Co-producer of Scarlet Road (SBS TV) Director/Co-writer of Selling Sickness (SBS TV) and Director/Co-producer of the Walkley Award-winning Business Behind Bars and Profits of Punishment (SBS TV).Ĭatherine was a member of the Paper Tiger TV collective co-producing over 30 productions including Breathless and Drawing the Line at Pittston. She was Senior Producer SBS Dateline and more recently as a freelance video journalist for the program.Ĭatherine has been a director and producer on documentaries broadcast internationally including SBS TV, ABC TV, CBC Canada, PBS Television, Channel 4, Arte and France 2. Catherine has worked as a documentary filmmaker for over 20 years. ![]()
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